António Faria’s (Portugal, 1966) work confronts the fragility of nature and human mortality through a poetic interplay of drawing and installation. His large-scale, monochromatic compositions evoke the decay of nature and the passage of time, capturing fleeting moments that convey both presence and absence. Faria’s practice transcends representation, offering a visceral experience of the emotional landscape shaped by the erosion of life and the inevitable dissolution of all things. For Impermanentia, Faria presents a new body of work that further deepens his exploration of memory, decay, and the ephemeral beauty of existence. Through repetition and careful attention to texture, his practice creates surfaces that transcend the momentary, becoming monuments to the impermanence of life.