At Drawing Room, a selection of drawings from the new series initiated in São Paulo, within the exhibition Nítido Obscuro (Objecto Particular), will be presented. “It all began with a need to see into the distance. If, at this moment, I find myself in a large metropolis where I cannot see the horizon, I had to leave São Paulo several times to find that fleeting line stretching horizontally, accompanying our visual reach.” Bolota explores perception as a process of constant correction, subject to shifts, interferences, and adjustments that inevitably shape the way we see.