In his practice, Diogo Nogueira (Portugal, 1999)delves into the realms of imagery, iconography, and sexuality through mediums such as painting, drawing, ceramics, and installation. this approach emerges as a ritual aimed at forging connections between the personal and the collective. Gesture, humor, and irony stand as central themes within the vibrant scenarios where amorphous figures move. Often drawing on natural motifs, the artists seeks to create new universes and possibilities for social relationships. by referencing mythological symbols, the animal, human, and natural elements merge into a carnival where social norms dissolve.