Belgium, 1972


Lives between Berlin, Madrid and Lisbon. Noé Sendas began to present his work in the late nineties. Explicit and implicit references to artists and literature, cinematographic or musical creations are part of the raw material he uses. Specific concerns about the reflection and practice of the visual arts can also be added to his repertoire. Namely: the body, as a simultaneously theoretical and material entity; the mechanisms of the observer’s perception; or the discursive potential of expository methods.